Here's a paradox: What I like about "Man on a Ledge" is that it is a puzzle, slowly pieced together by plot. What I don't like about "Man on a Ledge" is the ridiculous plot.
"Man on a Ledge" falls into line with countless thrillers that attempt to pull off the balancing act of being grounded in reality while presenting a story so over-the-top, so ridiculous and so convenient that it's hard, if not impossible, to buy. The film struggles to be a serious action thriller, but wobbles on the edge of absurdity.
I could nitpick it to pieces, magnify its endless holes and the improbable premise. Yet the fact is, I had quite a bit of fun. So in the end this standard-issue action thriller that tries to be smart but comes off as dumb also provides an enjoyable escape.
The plot follows Nick Cassidy (Sam Worthington), who, upon escaping from prison, positions himself on the ledge of a New York City building and demands to see police investigator Lydia Mercer (Elizabeth Banks).
For the viewer, the film is an interesting mystery to solve — part conspiracy thriller, part heist film. It gains momentum and becomes increasingly engaging as the film rolls.
"Man on a Ledge" is no masterpiece, but it's worthy enough for a watch.
Come the end of the year, this movie will barely be in my memory anymore. Even now, it's becoming a bit hazy. But for the 100 minutes I watched it on screen, "Man on a Ledge" was clear and accessible entertainment.
